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| Re: Greg Norman's "secret" Quote:
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__________________ I'm a golfaholic, no question about that. Counseling wouldn't help me. They'd have to put me in prison, and then I'd talk the warden into building a hole or two and teach him how to play. ~Lee Trevino Last edited by GregJWillis; 10-04-2008 at 02:53 PM. |
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| Re: Greg Norman's "secret" Yes, sure a flat left wrist (even buldged out slightly) will force the right hand to maintain the cup. |
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| Re: Greg Norman's "secret" Heres my 2c This device is training you to keep a flat left wrist through the BS as mich aas it is keeping it flat down into impact. A flat left wrist keeps the club on plane all through the swing all allows for the hands to lead the clubhead into the ball naturally If your left wrist is in a good position at the top, the DS should be almost automatic Heres a great example. Look at this pic of Tiger half way back I feel like this goes wrong early. If I look at this pic of Tiger halfway back http://www.oneplanegolfswing.com/one...ng-halfway.jpg His left wrist has remained flat, which has cupped the right wrist, set the club up and got it right on plane. If your left wrist wasnt still flat here the club would be in a different position (i.e. way inside or still horizontal) and the swings got off already. Take that flat wrist to the top and you get that great 'laid off' look 3/4 back with the left wrist perfectly in line with your forearm |
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| Re: Greg Norman's "secret" Quote:
That is a great image of Tiger, and it is his swing today as developed under Haney. I've read Haney's book, and he has a clear opinion on the swing plane. He says Hogan's plane principle was wrong and also other instructors have got it wrong. For instance, Leadbetter would recommend in the position Tiger is in here that the shaft points in between the ball and the feet. Tiger's postion here is parallel to the original shaft plane and points outside of the ball. Haney recommends that the swing plane is based on the shaft plane at address, rather than having two planes -upright on the backswing and flatter on the downswing- like Leadbetter. Who is right, who knows? |
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| Re: Greg Norman's "secret" My understanding of swatting or casting is it is more a symptom of deceleration in the swing. If you decelerate -- or actually do not continue to accelerate -- through the swing, your club will tend to overtake your hands. If the angular motion of your hands arms, club and club head are all in synch i.e. "in tempo" you cannot cast the club. I'd bet your wrists simply aren't strong enough on their own to make a club swat as the club is moving through the swing path. They might add a bit but just take a club and hold it out and try to swat the club in the motion we're describing. It actually takes a considerable amount of effort. And that's a stationery club with no inertia built up from being in motion. Imagine a pendulum. From a physics point of view it's the same sort of motion. If the motion at the centre stops suddenly, the pendulum keeps moving due to its own inertia. Same thing with swatting / casting. If you want to stop casting, swing faster! And get a copy of Tour Tempo from the library. My 2¢. |
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| Re: Greg Norman's "secret" BTW instead of buying a secret why not just tape a spatula to your right arm like this guy has http://www.golfdigest.co.za/images/w...reaking80a.jpg And ensure your right hand stays touching the spatula from the takeaway to the follow through |
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| Re: Greg Norman's "secret" Quote:
At last the penny has dropped. Sorry for being a bit thick on this subject but at long last I have clarified the concept of the pronated right wrist supporting the left through impact. I have used the "Ice hockey stick" push through action for a time to create additional lag and this was clouding my understanding. Paul's spatula helped as well. ![]() Last edited by BrianW; 01-09-2007 at 04:26 PM. |
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| Re: Greg Norman's "secret" Quote:
When I put my secret on I can't get it to fit to my full hand and wrist at once at address otherwise I would be see my finger nails on my right hand. But I can mould by wrist and hand to the Secret once I start cocking my wrists on the takeway, like shown in the spatula image. |
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| Re: Greg Norman's "secret" Quote:
Im not sure it matters all that much as long as the FLW is there at the top and on plane with the left forearm When I first started doing this my left wrist 'felt' bowed with my right hand facing the sky in the 'waiter tray' position. Felt really strange to start with but thr reasults were immediate and now it feels so natural I can feel at the top if its not right and you can even play about with cupping or bowing to affect ball flight |
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| Re: Greg Norman's "secret" That Tiger image showing the halfway back position from the side is spot on for me. The shaft angle is aligned with the right forearm, the clubface is pointing straight forward and square to the body, the projected shaft direction points somewhere between the ball and feet. |
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| Re: Greg Norman's "secret" Quote:
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| Re: Greg Norman's "secret" Quote:
No, this is the worst ever.. it is extremely important the left wrist is flat and the right wrist is cupped.. When you come on the downswing you should see only one knuckle on your left hand, any more and your wrists have broken and your swing is ruined.. |
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| Re: Greg Norman's "secret" Peoples swing aren't the same..Backswings mostly that is.. But when it comes to the downswing it all changes I think.. look at the impact position of all the pros .. they nearly all look alike..flat left wrist, cupped right wrist, hands ahead of club, hips already almost turned fully to the flagstick.. this should tell people something.. |