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| Power Many years ago at Gleneagles I watched Bob Torrance teach Wayne Grady. The paramount feature of that lesson was the left arm tucked in by way of a towel or hankerchief from the start to finish of the swing. I have tried it - certainly gives control but reduces distance. Any comment. |
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| Re: Power Bear in mind that this was almost certainly a drill to create a "feeling" in the swing and promote muscle memory. These sort of drills profoundly exaggerate the desired effect. There was probably something extremely specific they were working on so I wouldn't try to copy it myself. I think Vijay does something similar as his swing is so languid that he's trying to keep his left arm controlled |
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| Re: Power Guess who uses this "connection" drill. Golf Monthly - Instruction - Glove drill – tip by Padraig Harrington |
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| Re: Power hi rackster no suprise in padraig using the glove drill as he has been using bob torrance as a trainer for over 10 years and just changed a towel as in wayne grady's time to a glove in padrig's. bob torrance has always said teach the player and not the swing and keeping the head still is one of his main teachings, just ask his son sam. bill |
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| Re: Power Coincidentally, this connected left arm is one of the peculiarities of the "Simple Swing" that I've begun experimenting with. The basic idea seems to be that the left arm movement somewhat mirrors the movement of the right arm in the downswing. The right elbow stays connected, then straightens before impact. The left arm is straight at impact, then bends as the wrists turn. As it bends the elbow stays in and doesn't chicken wing out. Then it separates from the body. I can't hit a ball this way yet, but the feeling is very constricted. I think, however, that this move somehow maximizes the angular momentum through impact. There's a feeling of incredible, and unexpected, speed through the impact zone. It's a question of controlling it.
__________________ Todd Philadelphia, PA USA The reason the pro tells you to keep your head down is so you can't see him laughing. ~Phyllis Diller |
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| Re: Power Quote:
Sorry if I am sounding simple here, but when you say "turn and hinge", I would say obviously you hinge the wrists, with the turn, do you mean the forearms as opposed to the body turn? I have just been having a swing in the garden (was due to go for a practice session and game last night but yet more rain in the UK) and I noticed the following. An error of mine at set up is that my hands at address are often behind the ball. During my garden swinging session, I pushed my hands forward at address either from the static position or as a forward press. This I notice introduced more rotation of the left forearm in the swing, I did not have to think about rotation at all in the swing, and I have to say the swing seemed very smooth and generated a good "swoosh" through the growing lawn grass. Is this what you sometimes refer to as setting the rotation at address? I did a load of Hogan half swings back and forth and got some real good feelings. Whether it works with a ball remians to be seen. ![]() Thanks Rackster |
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| Re: Power Quote:
The weather is beginning to improve here so hopefully back on the range and course soon |
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| Re: Power Quote:
It was tucked under the armpit (not all the way to the elbow) correct? Many pros through out history have done that drill (including but not limited to Nick Faldo, Vijay Singh, Padraig Harrington, Charles Howell III, Peter Jacobsen, Nick Price, and Annika Sorenstam). It has a lot of merit: It keeps the arms and body synchronized, which in turn can help eliminate issues with timing, loss of power, and loss of accuracy. Back when I first started using it I found it increased my distance. |